The Devil in the Hills
Three young men, the narrator, Pieretto, Oreste, being young, nocturnal, and bored, met Poli, who has all the money to indulge in his whims, whatever they may be. No purpose of existence, achievements, feeling wasted, women, drugs here and there, hunting, you know, the usual.
I’m not sure what’s my take on this. Pavese was—according to an introduction to his other short stories collection I’ve read—a woman hater (though he fell deeply once for a “woman with a deep voice”), stiff and awkward because he was too aware, and they show in his writings. In a way they hit close to home, but how many gratuitious stories about bored, debauched young men with (or looking for) issues can one take before one gets overdosed with impotent white male testosterones (even if one is plagued by the same old thing)?
Having said that, Pavese revealed plenty of nuances, ambiences, rich feelings and interesting maxims, but there are times I feel it’s just too much for its almost never-ending possibilities of levels and meanings. Or maybe it’s the problem of translation (NYRB re-released it as a compilation, translated by R. W. Flint). The ending, although rather cliche, round things up quite nicely. It does remind one of F. Scott Fitzgerald…
Tags:fiction, Italian-literature, Italy
fiction, Italy, Pavese, Cesare
April 13, 2006 @ 10:00 pm | 1 Comment


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April 13th, 2006at 11:23 pm(#)
[...] New reviews at books @ cc. The Devil in the Hills by Cesare Pavese. Another story of sufficient, confused young men by a dead Italian male. Reminds one a bit of F. Scott Fitzgerald, but with more penchant for maxims and aphorisms. Hammer of the Gods: Led Zeppelin Unauthorized by Stephen Davis. Only for a fan. [...]